Tag Archives: Riverside Theatre


27 Jan

In a lot of ways, a production like this is outside my brief.

To start with, no one talks. They dance. They sing. They do the most extraordinary aerial acrobatics. But they don’t talk.

It’s spectacular and beautiful. Director Patrick Nolan brings together the various elements wonderfully. Composer Stefan Gregory and choir director Elizabeth Scott create a fascinating world of sound which choreographer Kathryn Puie’s brilliant dancers inhabit.

It’s a tale of intimacy and desire, though tale is probably too strong a word. The various vignettes, inspired by an enormous breadth of time and place, suggest the connection between courtship and dance.

Photo by Prudence Upton

                Photo by Prudence Upton

I began this response with a mischievous admission of inadequacy.

And I’ll end it with another:
The human body; where would we be without it?

Veronica Kaye


Riverside Theatre

21- 25 Jan


It’s Dark Outside

28 May

I don’t read the program before a show. Or after.

So I sat down in the theatre knowing nothing about It’s Dark Outside. What I experienced was bewildering, beautiful and sad.

Afterwards I broke my rule and had a peek. According to the program, dementia was the starting idea of the artists’ process – in particular, a phenomena called Sundowning Syndrome, which is a “confusion and restlessness” experienced by some patients.

Phot by Richard Jefferson

Photo by Richard Jefferson

So that’s what I saw. I could blame my lack of awareness on my own parochial nature, but I prefer to blame society. This disease affects so many, but we often ignore it.

Creators Arielle Gray, Chris Isaacs and Tim Watts have produced some magical melancholy.  Built fundamentally from puppetry and projection, it’s visually stunning. Wordless, its power comes from the brilliant performances of the creators and the evocative musical composition of Rachael Dease.

An old man is being chased. Or is he doing the chasing?

Pursuing or being pursued; these are fundamental aspects of the human experience. They’re a direct function of the dimension of space. Unfortunately, they’re not a function of that other dimension we live in – time. It allows movement in only one direction. And that’s the sorrow.

Veronica Kaye


It’s Dark Outside by Arielle Gray, Chris Isaacs and Tim Watts

Riverside Theatre til 29 May


It’s Dark Outside is currently on a national tour.